Deer hunter roulette scene
What is the reason for Russian Roulette in "The Deer Hunter?" The Deer Hunter is one of those polarizing Why is the wedding scene/sequence in The Deer Hunter. Aug 16, · [The Washington Post, ] A year-old boy fatally shot himself in the head reenacting a Russian roulette scene he had seen in the movie The Deer Hunter. Michael Cimino's Vietnam War classic "The Deer Hunter" may be best known for having some of the most tense Russian roulette scenes in movie history.
The Deer Hunter and Suicides
But all I had to do was watch TV. The next morning the only makeup we used on the leads was to cover up the redness from the day before. Cimino then fired Washburn. In , columnist Paul Simon was quoted in a Louisville Courier-Journal article as stating that this number was then up to United Artists "The Deer Hunter" Cimino's second film starred Robert De Niro , Christopher Walken and John Savage as three friends and soldiers who fight in the Vietnam War and then struggle to rebuild their lives afterwards back on the homefront. Deeley hired Relyea after meeting him on the set of Bullitt and was impressed with his experience. More or less before the late 70s the movies had lived by a second world war code in which battle scenes might be fierce but always rigorously controlled.
The Deer Hunter: Story of a scene
Joe Grifasi as Bandleader While producer Deeley was pleased with the revised script, he was still concerned about being able to sell the film. I needed someone with the caliber of Robert De Niro. In addition to attracting buyers, Deeley felt De Niro was "the right age, apparently tough as hell, and immensely talented. With Streep came John Cazale. Additionally, director Cimino instructed the props department to fashion complete Pennsylvania IDs for each of them, including driver's licenses, medical cards, and various other pieces of paraphernalia , in order to enhance each actor's sense of his character.
The trick would be to find a way to turn a very clever piece of writing into a practical, realizable film. According to Deeley, Cimino questioned the need for the Russian roulette element of the script, and Redeker made such a passionate case for it that he ended up literally on his knees. Over the course of further meetings, Cimino and Deeley discussed the work needed at the front of the script, and Cimino believed he could develop the stories of the main characters in the first 20 minutes of film.
According to producer Spikings, Cimino said he wanted to work again with Washburn. Upon reviewing Washburn's draft, Cimino said, "I came back, and read it and I just could not believe what I read. It was like it was written by somebody who was Cimino then fired Washburn.
Cimino later claimed to have written the entire screenplay himself. I didn't have a single drink the entire time I was working on the script. The script eventually went through several drafts, evolving into a story with three distinct acts. Washburn did not interview any veterans to write The Deer Hunter nor do any research. Write the fucking script!
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The director explains how he created the scene's excruciating tension. Neither a rah-rah heroism flick nor an overtly political slice of recent history, Cimino's grandly scaled but intimately rendered three-hour epic follows a close-knit band of Pennsylvania steelworkers who are drinking and hunting buddies, forever changed by the war. Over three acts, we see them celebrate a marriage, endure the life-or-death hell of the battlefield, and struggle to re-establish their irrevocably damaged bonds.
Central to Cimino's portrait of war's random violence are the tension-filled moments he created, none more so than two excruciating rounds of Russian roulette. Suddenly the romantically held notion among the deer hunting friends—the idea of a perfect "one-shot kill"—becomes a cruel, warped reality on a nightmarish human game board. It applies to any war. You had to cover yourself with netting and set off smoke bombs at night to sleep.
It was bloody hard work. It's a dramatic device, a way of demonstrating what I consider the real terror of war, which is waiting. The question is, how do you dramatize waiting? How do you demonstrate random death?
This is the perfect metaphor. The Russian roulette was a shorthand way of showing what it means to wait. The shot of shots from all the Vietnam footage and photographs, the one that made the most impression on me, was the one in the street where the guy just pulls out his gun and blows that other guy's brains out and blood squirts out of his head. That was an iconic shot. This reminds me of that. Here, John is being taken to a water cage for not shooting himself. Of the many rivers, the Kwai was the best because it had the right width, it was accessible from Bangkok, and it had the right bend in the river for the hut location.
That was our way of dealing with the Kwai. It's a very swift river. It looks placid on top, but underneath it's icy cold and moves like hell. And it was also treacherous because it's full of snakes.
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